About the Author
Dahni is a writer, poet, photographer, artist and composer. His one name he purposely spells differently, but it is his real name. His one name is to try and make a brand name, but he has a last name. He said, “Perhaps it was left out, just in case I have or might embarrass friends or family (living or not) that knew or knows me. They could say, I don’t know who Dahni is and that would be the truth”
Born and raised mid-morning near the middle of the month, in the middle of the 20th Century, in a middle class home in the Midwest, about middle of the state, in the middle of a mid-size town, Dahni has pretty much ever been in the middle of something.
One set of grandparents were highly educated people from affluent backgrounds. The others were from large farming families - the ‘salt of the earth,’ full of common sense and rich in flavor. He once set out to become a doctor, shifted to law, landed in ministry and then flew and stuck with imagination. From such varied influences, Dahni grew up with a passion for people, places and diversification. The desire to help others evolved, but has never changed.
A love for reading, stories and having a vivid imagination, interest in the arts only seemed natural and almost as second nature as breathing.
Once in the 6th grade, he had an assignment to write a report on the classic tales from ‘Arabian Nights.’ Dahni ended up illustrating his work and wrote it as an original poem. He has been reading, writing and pursuing the arts ever since.
Banging out just five notes on a piano while waiting for his high school date to get ready, the repetition may have bothered many, but a love for music grew out of this. It has caused him to continue to bang out notes ever since. No formal lessons with any instrument or music theory has kept him silent nor prevented him from original compositions if for no other than himself.
His many experiences, his travels and training as an investigative reporter, years involved in the principles of research along with a deep curiosity, offers a unique perspective for mining the gold of dreams and the silver of truths. Dahni refers to himself as a perpetual student of life-learning, as an I-magineer, an Amer-I-Can and 1 of WE the People. A graduate of the University of Hard Knocks, he holds a master’s degree in Trials & Errors, but a PhD in Imagination.
“Everything great in life happens because –
Somewhere, someone at some place and at some time,
Thinks I-imagine and believes I-Can.”
-Dahni-
Let's Connect
Email:
dahni1@gmail.com
Webs:
www.dahni.com
www.i-imagine.biz
Twitter:
https://twitter.com/Dahni1
Parler:
If you enjoyed this online book for FREE, I would appreciate an email from you! If you really, really liked it, would you like a digital version for your smart phone or digital device, also absolutely FREE? Yes, with no strings attached, no catch, nothing to buy later, no data collected and just, no nothing! Why am I doing this? I just need your help to help me help you to, Spatter Joy!
Dahni
Fair Use
(of images within this collection of poetry)
Purpose
Use is not-for-profit. Use is socially beneficial (promotes the creation of new knowledge, learning, etc.) It favors each image by augmenting it by the content of the poem and the poem is augmented by the image. Use is transformative, i.e. it uses the existing work in a new way (creates an index to the work) or for a new purpose (parody, pastiche, instructional materials, etc.). Transformative works are favored because the purpose of U.S. Copyright Law is to encourage the development and dissemination of new knowledge to benefit the public and thereby advance learning. Each image is associated with "joy" as is each poem associated with each image. It gives an image to an otherwise inexplicable and undefined emotional response to stimuli (joy) and the words of the poems give new meaning or a new definition to the image.
Nature
Work to be used contains limited new knowledge, content, or creative expression (in relation to previously copyrighted works) Original work was not created and/or has not been marketed for the stated purpose of the proposed use.
Amount
The portion used is not the “heart” of the work (the portion considered most central to the work as a whole). Only the amount required to achieve the stated, socially-beneficial purpose or objective will be used (be that educational, artistic, scholarly, journalistic, etc.)
Effect
A market for the work as it will be used is absent or is negligible & use of the work will have little or no negative impact on its value or potential value. The copyright holder cannot be identified or cannot be found after a reasonable search, or, once found does not respond (one way or another) to requests for permission to use the work.
Other
This collection of poetry is FREE. It is NOT-for profit. No compensation to the author or infringement is intended or implied. Should anyone or any artist recognize, any image used within this collection that belongs to another or is theirs or that is based off of their original and/or copyrighted work (a derivative), after making a claim in writing, due credit will be given in any revision or edition as soon as is possible or it will be removed at the discretion of the original artist.. The author of this collection has made/makes no claim that any image contained herein is, an original work by the author of the poems within this collection. These images are used ONLY, to enhance the words of the poems and it is the author's hope and intention that the poems may enhance the images.
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